Set your preferred locations for a better search. You can sign up here.

Classical concerts featuring
Laurence Kilsby

Overview

Quick overview of musician Laurence Kilsby by associated keywords

New Arrivals

These concerts featuring Laurence Kilsby became visible lately at ConcertPulse.

Nothing found for now.

Upcoming Concerts

Concerts featuring Laurence Kilsby in season 2024/25 or later

February 7, 2025
Artistic depiction of the event

Klaus Mäkelä Oslo Philharmonic Choir Wolfgang Amadeus Mozart Kaija Saariaho

Fri, Feb 7, 2025, 19:00
Klaus Mäkelä (Conductor), Sandrine Piau (Soloist), Sasha Cooke (Soloist), Laurence Kilsby (Soloist), Benjamin Appl (Soloist), Oslo Philharmonic Choir, Øystein Fevang (Choir conductor)
Of the more than 600 works written by Wolfgang Amadeus Mozart (1756-1791), none is shrouded in more mystery than the Requiem, which was unfinished when he died. How much of the music did he write himself? Did he know who commissioned the work? Did he write a Mass for the dead for himself?The commission did not come from the composer Antonio Salieri, who is portrayed as the villain in the hit film Amadeus, but from Count Franz von Walsegg, who commissioned the piece to commemorate his recently deceased wife.Mozart only managed to complete the first movement, but left detailed instructions for his student, Franz Xaver Süssmayer, who finished the piece. Mozart’s Requiem is one of the composer’s most original pieces with great musical and emotional range.“There is no other music like it. Every show is refreshing and remarkable," the opera director Peter Sellars said about Kaija Saariaho (1952-2023). Saariaho is considered one of the greatest composers of our time and is regularly a part of the Oslo Philharmonic's program. Kaija Saariaho wrote the orchestral piece Orion for The Cleveland Orchestra in 2002. In Greek mythology, Orion is a human, the son of the sea god Poseidon, and a fearless hunter who is set as a constellation in the sky after his death.In the first movement, "Memento mori" ("remember the inevitability of death") develops a mystic introduction to a powerful outburst. The second movement, "Winter sky," is an atmospheric description of the starry sky, while the intense third movement, "Hunter," describes Orion's adventure as a hunter.
March 29, 2025
Artistic depiction of the event

Oratorio Music Concert

Sat, Mar 29, 2025, 18:00
Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Władysław Skoraczewski Artos Choir at the Teatr Wielki – Polish National Opera, Jan Willem de Vriend (Conductor), Dorota Szczepańska (Soprano), Jess Dandy (Alto), Laurence Kilsby (Tenor), Halvor Festervoll Melien (Bariton), Karol Kozłowski (Tenor), Karol Kozłowski (Ewangelista), Lars Johansson Brissman (Bariton), Lars Johansson Brissman (Vox Christi), Bartosz Michałowski (Director of the Warsaw Philharmonic Choir), Danuta Chmurska (Director of the Artos Choir)
Jan Willem de Vriend, photo: Emelie Schäfer In the midst of the inevitable disputes over the most important achievement in Johann Sebastian Bach’s oeuvre, the St Matthew Passion keeps cropping up. As English musician and scholar John Butt has noted, it is curious that a masterpiece whose emotional charge reaches the limit of human endurance was written in a secondary German centre as Leipzig was in the eighteenth century. Not all those attending the Good Friday Lutheran services during which the Passions were performed in the Saxon city necessarily appreciated the massive scale of Bach’s work, together with its subtle drama. Today’s reception of the Passion would probably infuriate both the Leipzig townspeople and the composer himself. It is difficult to count all its contemporary performances and recordings, let alone the attempts at scientific interpretations of the symbols hidden on various levels of the score. Numerous statements from present-day listeners echo the conviction of the timelessness of the arias, recitatives and choruses from the St Matthew Passion, which, as it turns out, appeal not only to believers, since Bach employed almost every available means of sound painting to tell a profoundly human story about the fragility of life, love, betrayal, violence and loss.
March 30, 2025
Artistic depiction of the event

Oratorio Music Concert

Sun, Mar 30, 2025, 18:00
Warsaw Philharmonic Orchestra, Warsaw Philharmonic Choir, Władysław Skoraczewski Artos Choir at the Teatr Wielki – Polish National Opera, Jan Willem de Vriend (Conductor), Dorota Szczepańska (Soprano), Jess Dandy (Alto), Laurence Kilsby (Tenor), Halvor Festervoll Melien (Bariton), Karol Kozłowski (Tenor), Karol Kozłowski (Ewangelista), Lars Johansson Brissman (Bariton), Lars Johansson Brissman (Vox Christi), Bartosz Michałowski (Director of the Warsaw Philharmonic Choir), Danuta Chmurska (Director of the Artos Choir)
Jan Willem de Vriend, photo: Emelie Schäfer In the midst of the inevitable disputes over the most important achievement in Johann Sebastian Bach’s oeuvre, the St Matthew Passion keeps cropping up. As English musician and scholar John Butt has noted, it is curious that a masterpiece whose emotional charge reaches the limit of human endurance was written in a secondary German centre as Leipzig was in the eighteenth century. Not all those attending the Good Friday Lutheran services during which the Passions were performed in the Saxon city necessarily appreciated the massive scale of Bach’s work, together with its subtle drama. Today’s reception of the Passion would probably infuriate both the Leipzig townspeople and the composer himself. It is difficult to count all its contemporary performances and recordings, let alone the attempts at scientific interpretations of the symbols hidden on various levels of the score. Numerous statements from present-day listeners echo the conviction of the timelessness of the arias, recitatives and choruses from the St Matthew Passion, which, as it turns out, appeal not only to believers, since Bach employed almost every available means of sound painting to tell a profoundly human story about the fragility of life, love, betrayal, violence and loss.
April 14, 2025
Artistic depiction of the event

Bach's St John Passion performed by Pygmalion

Mon, Apr 14, 2025, 20:15
Ensemble Pygmalion, Raphaël Pichon (Conductor), Julian Prégardien (Evangelist), Huw Montague Rendall (Christus), Ying Fang (Soprano), Lucile Richardot (Alto), Laurence Kilsby (Tenor), Christian Immler (Bass)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
April 18, 2025
Artistic depiction of the event

Bach: St John Passion

Fri, Apr 18, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Pygmalion (Choir), Pygmalion (Orchestra), Julian Prégardien (Evangelist), Huw Montague Rendall (Jesus), Ying Fang (Soprano), Lucile Richardot (Alto), Laurence Kilsby (Tenor), Christian Immler (Pilate), Raphaël Pichon (Director)
The »St John Passion« is one of the most important and moving compositions in the history of music. In the 300 years since its premiere, it has not lost its emotional impact with which Johann Sebastian Bach set to music the suffering of Jesus Christ. Composed for Good Friday in 1724, this great work now sounds on the same bank holiday at the Elbphilharmonie. The period ensemble Pygmalion plays under the direction of its conductor Raphaël Pichon. At nine years old, the French Pichon sang the »St John Passion« for the first time – a crucial experience for the singer and conductor. For many years, Bach’s music remained and forms the core repertoire of the Pygmalion ensemble, which Pichon established in 2007. Historically informed and always with a fresh look at the music, these concerts are hailed by audiences and critics. The musicians play instruments which originate from the time of the Passion or were replicated and ensure a unique listening experience. Renowned tenor Julian Prégardien is also involved in the role of the evangelist.
May 5, 2025
Artistic depiction of the event

Monteverdi: L’incoronazione di Poppea

Mon, May 5, 2025, 19:00
Sophie Junker (Soprano), Nicolò Balducci (Counter tenor), Mariana Flores (Soprano), Iestyn Davies (Counter tenor), Alex Rosen (Bass), Marcel Beekman (Tenor), Lucía Martín-Cartón (Soprano), Riccardo Romeo (Tenor), Julie Roset (Soprano), Laurence Kilsby (Tenor), Yannis François (Bass-Bariton), Cappella Mediterranea (Ensemble), Leonardo García Alarcón (Conductor)
Claudio Monteverdis letzte Oper »L’incoronazione di Poppea« besticht mit ausdrucksvoller, facettenreicher Musik. Eine erstklassige Sängerschar und die renommierte Cappella Mediterranea unter Leonardo García Alarcón erwecken dieses frühbarocke Meisterwerk zum Leben.Poppea Sabina, die schönste Frau Roms, setzt alles daran, Kaiserin an der Seite von Kaiser Nerone zu werden. Macht und Leidenschaft stehen im Zentrum von Claudio Monteverdis Opernknüller über diese Frau. Dank ihrer packenden Interpretation lassen Leonardo García Alarcón und sein Alte-Musik-Ensemble Cappella Mediterranea das Publikum mitfiebern in der konzertanten Aufführung dieses eindrucksvollen Dramma per musica. Die junge belgische Sopranistin Sophie Junker begeistert in der Rolle der Poppea.
May 15, 2025
Artistic depiction of the event

Mahler Festival: Fleur Barron, Laurence Kilsby and Julius Drake in Mahler songs

Thu, May 15, 2025, 13:00
Fleur Barron (Mezzo-Soprano), Laurence Kilsby (Tenor), Julius Drake (Piano)
The Recital Hall is dedicated to Mahler's most beautiful songs during the Mahler Festival. Perhaps today's most important Lieder accompanist, pianist Julius Drake, flanks his favourite vocalists. Today, you hear British mezzo-soprano Fleur Barron, praised by critics for her charisma and clarity. You will also hear young tenor Laurence Kilsby, the 2022 winner of the Wigmore Hall's International Song Competition.Mahler's moving Kindertotenlieder are set to texts by Friedrich Rückert. This song cycle deals with coping with the death of two of the poet's children. Some years after its completion, Mahler himself lost his daughter. Julius Drake had already regularly performed the Kindertotenlieder with Fleur Barron. 'Fleur has such an extraordinary voice,' he said in Preludium.' A mezzo, but when she sings, you can hear a contra-alt, very special.' Drake also chose several pieces from Des Knaben Wunderhorn for this recital. For these works, Mahler based himself on old German folk song texts. Mahler drew from the same textbook before. Today, Barron and tenor Laurence Kilsby perform the Lieder und Gesänge, a song cycle Mahler wrote in his twenties.